ELYTRA FILAMENT PAVILION
Victoria and Albert Museum, London

The Elytra Filament Pavilion celebrates a truly integrative approach to design and engineering. As a centrepiece of the V&A’s Engineering Season it demonstrates how architectural design can unfold from a synergy of structural engineering, environmental engineering and production engineering, resulting in unique spatial and aesthetic qualities. It showcases the profound impact of emerging technologies on our conceptualisation of design, engineering and making, by intensifying the visitors architectural experience of the museum’s central garden. But instead of being merely a static display, the pavilion constitutes a dynamic space and an evolving structure. The cellular canopy grows from an onsite fabrication nucleus, and it does so in response to patterns of inhabitation of the garden over time, driven by real time sensing data. The pavilion’s capacity to be locally produced, to expand and to contract over time provides a vision of future inner city green areas with responsive semi-outdoor spaces that enable a broader spectrum of public activities, and thus extend the use of the scarce resource of public urban ground.

For a detailed description and more images please view:

https://www.icd.uni-stuttgart.de/projects/elytra-filament-pavilion/

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DESIGN, ENGINEERING AND FABRICATION TEAM

Achim Menges with Moritz Dörstelmann
ICD–Institute for Computational Design, University of Stuttgart
Achim Menges Architect, Frankfurt
Team also includes: Marshall Prado (fabrication development), Aikaterini Papadimitriou, Niccolo Dambrosio, Roberto Naboni, with support by Dylan Wood, Daniel Reist

Jan Knippers
ITKE–Institute of Building Structures and Structural Design, University of Stuttgart
Knippers Helbig Advanced Engineering, Stuttgart, New York
Team also includes: Valentin Koslowski & James Solly (structure development), Thiemo Fildhuth (structural sensors)

Thomas Auer
Transsolar Climate Engineering, Stuttgart
Building Technology and Climate Responsive Design, TU München
Team also includes: Elmira Reisi, Boris Plotnikov

With the support of:
Michael Preisack, Christian Arias, Pedro Giachini, Andre Kauffman, Thu Nguyen, Nikolaos Xenos, Giulio Brugnaro, Alberto Lago, Yuliya Baranovskaya, Belen Torres, IFB University of Stuttgart (Prof. P. Middendorf)

Commission:
Victoria & Albert Museum, London 2016

FUNDING

Victoria & Albert Museum, London
University of Stuttgart

Getty Lab

Kuka Roboter GmbH + Kuka Robotics UK Ltd
SGL Carbon SE
Hexion
Covestro AG
FBGS International NV
Arnold AG
PFEIFER Seil- und Hebetechnik GmbH
Stahlbau Wendeler GmbH + Co. KG
Lange+Ritter GmbH
STILL GmbH

HYGROSKIN – METEOROSENSITIVE PAVILION
Permanent Collection, FRAC Centre Orleans, France

The project HygroSkin – Meteorosensitive Pavilion explores a novel mode of climate-responsive architecture. While most attempts towards environmental responsiveness heavily rely on elaborate technical equipment superimposed on otherwise inert material constructs, this project uses the responsive capacity of the material itself. The dimensional instability of wood in relation to moisture content is employed to construct a metereosensitive architectural skin that autonomously opens and closes in response to weather changes but neither requires the supply of operational energy nor any kind of mechanical or electronic control. Here, the material structure itself is the machine.

The travelling pavilion’s modular wooden skin is designed and produced utilizing the self-forming capacity of initially planar plywood sheets to form conical surfaces based on the material’s elastic behavior. Within the deep, concave surface of each robotically fabricated module a weather-responsive aperture is placed. Materially programming the humidity-responisve behaviour of these apertures opens up the possibility for a strikingly simple yet truly ecologically embedded architecture in constant feedback and interaction with its surrounding environment. The responsive wood-composite skin adjusts the porosity of the pavilion in direct response to changes in ambient relative humidity. These climatic changes – which form part of our everyday live but usually escape our conscious perception – trigger the silent, material-innate movement of the wooden skin. This subtle yet constant modulation of the relationship between the pavilion’s exterior and interior provides for a unique convergence of environmental and spatial experiences.

The project was commissioned by the FRAC Centre Orleans for its renowned permanent collection and was first shown in the exhibition »ArchiLab 2013 – Naturalizing Architecture« that opened on 14th of September 2013.

For a detailed description and more images please view:

https://www.icd.uni-stuttgart.de/projects/hygroskin-meteorosensitive-pavilion/

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PROJECT TEAM

Achim Menges Architect, Frankfurt
Achim Menges, Steffen Reichert, Boyan Mihaylov
(Project Development, Design Development)

Institute for Computational Design, University of Stuttgart
Prof. Achim Menges, Oliver David Krieg, Steffen Reichert, David Correa, Katja Rinderspacher, Tobias Schwinn, Nicola Burggraf, Zachary Christian with Yordan Domuzov, Tobias Finkh, Gergana Hadzhimladenova, Michael Herrick, Vanessa Mayer, Henning Otte, Ivaylo Perianov, Sara Petrova, Philipp Siedler, Xenia Tiefensee, Sascha Vallon, Leyla Yunis
(Scientific Development, Detail Development, Robotic Fabrication, Assembly)

PROJECT FUNDING

FRAC Fonds Régional d’Art Contemporain du Centre
Robert Bosch Stiftung
Kiess GmbH
Cirp GmbH
Holzhandlung Wider GmbH

HYGROSCOPE – METEOROSENSITIVE MORPHOLOGY
Permanent Collection, Centre Pompidou, Paris

The project explores a novel mode of responsive architecture based on the combination of material inherent behaviour and computational morphogenesis. The dimensional instability of wood in relation to moisture content is employed to construct a climate responsive architectural morphology. Suspended within a humidity controlled glass case the model opens and closes in response to climate changes with no need for any technical equipment or energy. Mere fluctuations in relative humidity trigger the silent changes of material-innate movement. The material structure itself is the machine.

The project was commissioned by the Centre Pompidou Paris for its permanent collection and will be first shown in the exhibition »Multiversités Créatives« starting on 2nd of May 2012.

For a detailed description and more images please view:

https://www.icd.uni-stuttgart.de/projects/hygroscope-meteorosensitive-morphology/

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PROJECT TEAM

Achim Menges Architect, Frankfurt
Prof. Achim Menges, Steffen Reichert, Boyan Mihaylov
(Project Development, Design Development)

Institute for Computational Design, University of Stuttgart
Prof. Achim Menges, Steffen Reichert, Nicola Burggraf, Tobias Schwinn with Claudio Calandri, Nicola Haberbosch, Oliver Krieg, Marielle Neuser, Viktoriya Nikolova, Paul Schmidt
(Design Development, Scientific Development, Robotic Fabrication, Assembly)

Transsolar Climate Engineering, Stuttgart
Thomas Auer, Daniel Pianka
(Climate Engineering)

PROJECT SUPPORT

Centre Pompidou Paris
Rubner Holding AG
Glasbau Hahn GmbH
Competence Network Biomimetics
Steelcase Werndl AG

EXHIBITION ‘MENSCH! SCULPTUR’
as part of the International Days Ingelheim, Kunstforum Ingelheim

To mark the completion of our refurbished and extended art forum, the sculpture exhibition ‘Mensch! Sculpture’ was opened as part of the Ingelheim International Days.

The exhibition architecture and the composition of the individual sculptures were created in close collaboration with the curator Dr Ulrich Luckhardt.

The exhibition ‘Mensch! Sculpture’ shows works by 12 important sculptors who deal with the theme of the human body. The 61 exhibits made of marble, bronze or terracotta are by the artists Alexander Archipenko, Max Beckmann, Rudolf Belling, Edgar Degas, Alberto Giacometti, Georg Kolbe, Henri Laurens, Wilhelm Lehmbruck, Aristide Maillol, Henry Moore, Pablo Picasso and Auguste Rodin.